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 A life long journey
 Jackson 535A
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 Jimmy Burgess listening to the Altecs with his 2a3 build running them. Glorous 3wpc.
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 Jon Anderson settling in for some listening.
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 klangfilm klv204 clones using the Siemens F2a power tube.
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 Darling 1626 single ended amplifier using a Shannon Parks circuit. His version is called the Clementine. Hammond power transformer and choke. Output transformers are Edcor. Changed the circuit to use a 12SN7 as input.
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 A Technics SP10 MKII that has received the Krebs treatment, DASacustic dual arm plinth, Fidelity Research FR24 MKII 9", Jelco TK-950L MKII 12", Sph copper mat and record stabilizer. Ortofon and Audio Technica carts.
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 STS serviced with upgrades including a rewired and serviced Ortofon RMG-212 tonearm. A new idler wheel from AudioSilente of Italy. A WoodSong Audio thrust bearing kit with an 8mm thick bronze cap, a 6mm thick Torlon thrust pad, and a Grade 5 sapphir
 85 pound Lenco PTP4 build with Fidelity Research FR24 MKII tonearm and Ortofon SPU GE MKII cartridge retipped by Andy Kim with a line contact nude stylus instead of the original elliptical stylus. Tiger maple plinth with upgraded long bearing housin
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 Janes Burgess 2a3
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 diytube stereo35
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 Bottlehead “Kaiju” 300b
 Bottlehead 300b
 Eddie Vaughn “Carina”
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 Where it all started for me.  Photo circa 1971 , Okinawa Japan.
 Ken Uesugi 42 tube amp/DAC/pre
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 Triode-wired single-ended amplifier designed by George Anderson. This amplifier has a beefier power supply than the basic design, Obbligato coupling caps, Kiwame and PRP resistors and Transcendar Output transformers. It’s a rollers dream for EL34, K
 Ken Uesugi “Tesseract” 46/47 tube amp
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 Janes Burgess 45 tube amp with Emission Labs tubes.
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 Rek-O-Kut Rondine Deluxe mono player with ROK Micropose 120 and Gray Research 208-S/16” arm with Fairchild 220-A mono cartridge.
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 Greg Metz STS modified Thorens TD124 MKII, rewired Ortofon RMG212 tonearm, with an Andy Kim Needle Clinic rebuilt and retipped Ortofon S15-T MC cartridge with a linear contact diamond tip, and aluminium cantilever.
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 James Burgess push pull 45
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 Radu Tarta 101d/26 preamp
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Legacy Audio Whisper HD
Legacy Audio Whisper HD
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 James Burgess type 46 tube amplifier with a fresh NOS set of 1944 year 46 type tubes.
Alan Eaton DHT 45 monoblocks
Alan Eaton DHT 45 monoblocks
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 Current reference setup with the James Burgess 45/2A3 S.E.T. amplifier, easily interchangeable to Burgess Eiclone 6550 triode monoblocks. A James Burgess tube preamp/phono stage, PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV
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 Vintage refurnished reel to reel decks, turntables, and tube gear.
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 Reel to Reel and Vinyl reference.
 .
 Switchable 2A3 or 45 power triode’s along with 12SL7 and 6AX4 tubes performing in all their glory!
 Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari M
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 Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari M
 Restored 1969 Akai X-150D Reel to Reel
 Omen Dirty weekend upgraded with Zu audio clarity caps and internal mission cable wiring basically brining them to the Omen MkII at almost half the cost.
 Myself around one year old in Okinawa Japan circa 1971 with my first taste of good audio. Like many serviceman around this time stationed overseas my father put together a very nice audio system which I got to enjoy for years after growing up back h
 Minty Alec A7 VOTT speakers.
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 VPI Industries TNT-4 turntable, Cary Audio Design CAD-805c monoblocks , Cary Audio Design SLP-98p preamp , Plinius Jarrah phono preamp , Immedia RPM tonearm, Transfiguration Spirit MKII, Mapleshade Heavy Foot isolation feet, Lovan Classic II audio r
 Shanling T100 Turbomod Tube CD player
 The picture just barley shows my Klipschorns that are 20 feet apart in the corners. Then I have 2 Sonance 15 inch powered subs. The rack on the right has my modifed Shanling T-100 cd player on top. Underneath that is my Samsung HDTV receiver for the
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 Pentode Stereo single ended power amp using SEDCTR circuit technology by Paul Joppa All pentode tube complement – 2x6AU6 and 2xEL84 Two stage direct coupled circuit with no global negative feedback 4 watts per channel, strappable to create an 8 watt
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 James Burgess triode monoblocks based on the classic Eico HF-89 running 6550’s
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 Restored Marantz 6110 with AudioT echnica Pro11 cartridge
 Restored JVC JL-F-45 with Shure M 97 XE
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Calibrated Hickok type TV-7D/U Military Tube Tester
Calibrated Hickok type TV-7D/U Military Tube Tester
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 B&K Model 700
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A life long journey
 Jackson 535A
Jackson 535A
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 Jimmy Burgess listening to the Altecs with his 2a3 build running them. Glorous 3wpc.
Jimmy Burgess listening to the Altecs with his 2a3 build running them. Glorous 3wpc.
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 Jon Anderson settling in for some listening.
Jon Anderson settling in for some listening.
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 klangfilm klv204 clones using the Siemens F2a power tube.
klangfilm klv204 clones using the Siemens F2a power tube.
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 Darling 1626 single ended amplifier using a Shannon Parks circuit. His version is called the Clementine. Hammond power transformer and choke. Output transformers are Edcor. Changed the circuit to use a 12SN7 as input.
Darling 1626 single ended amplifier using a Shannon Parks circuit. His version is called the Clementine. Hammond power transformer and choke. Output transformers are Edcor. Changed the circuit to use a 12SN7 as input.
IMG_3805.jpg
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 A Technics SP10 MKII that has received the Krebs treatment, DASacustic dual arm plinth, Fidelity Research FR24 MKII 9", Jelco TK-950L MKII 12", Sph copper mat and record stabilizer. Ortofon and Audio Technica carts.
A Technics SP10 MKII that has received the Krebs treatment, DASacustic dual arm plinth, Fidelity Research FR24 MKII 9", Jelco TK-950L MKII 12", Sph copper mat and record stabilizer. Ortofon and Audio Technica carts.
IMG_3521.jpg
4B85ACEA-B041-41E4-AA93-7C1A9B16CF55.jpeg
 STS serviced with upgrades including a rewired and serviced Ortofon RMG-212 tonearm. A new idler wheel from AudioSilente of Italy. A WoodSong Audio thrust bearing kit with an 8mm thick bronze cap, a 6mm thick Torlon thrust pad, and a Grade 5 sapphir
STS serviced with upgrades including a rewired and serviced Ortofon RMG-212 tonearm. A new idler wheel from AudioSilente of Italy. A WoodSong Audio thrust bearing kit with an 8mm thick bronze cap, a 6mm thick Torlon thrust pad, and a Grade 5 sapphire ball bearing. An MK2 conversion kit with the Hanze Hi-Fi Motor Spring Suspension kit is also installed. In this conversion, the 3 motor suspension mount studs of the MK1 motor, are replaced with longer motor suspension studs to give more motor suspension travel as well as allowing installation of the Hanze HiFi motor spring suspension system which reduces motor noise into the chassis by -16db over the standard double polymer bushing design which is still installed on most TD124’s. SPH copper mat copper record stabilizer, and Waynes outer ring round things out.
 85 pound Lenco PTP4 build with Fidelity Research FR24 MKII tonearm and Ortofon SPU GE MKII cartridge retipped by Andy Kim with a line contact nude stylus instead of the original elliptical stylus. Tiger maple plinth with upgraded long bearing housin
85 pound Lenco PTP4 build with Fidelity Research FR24 MKII tonearm and Ortofon SPU GE MKII cartridge retipped by Andy Kim with a line contact nude stylus instead of the original elliptical stylus. Tiger maple plinth with upgraded long bearing housing, long spindle, idler wheel damper, SPH SCuM copper mat, SPH 3lb copper stabilizer and tool less speed adjustment knob from SPH, An idler wheel from Simone Lucchetti at Audiosilente round things out.
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 Janes Burgess 2a3
Janes Burgess 2a3
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 diytube stereo35
diytube stereo35
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 Bottlehead “Kaiju” 300b
Bottlehead “Kaiju” 300b
 Bottlehead 300b
Bottlehead 300b
 Eddie Vaughn “Carina”
Eddie Vaughn “Carina”
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 Where it all started for me.  Photo circa 1971 , Okinawa Japan.
Where it all started for me. Photo circa 1971 , Okinawa Japan.
 Ken Uesugi 42 tube amp/DAC/pre
Ken Uesugi 42 tube amp/DAC/pre
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IMG_1410.jpg
 Triode-wired single-ended amplifier designed by George Anderson. This amplifier has a beefier power supply than the basic design, Obbligato coupling caps, Kiwame and PRP resistors and Transcendar Output transformers. It’s a rollers dream for EL34, K
Triode-wired single-ended amplifier designed by George Anderson. This amplifier has a beefier power supply than the basic design, Obbligato coupling caps, Kiwame and PRP resistors and Transcendar Output transformers. It’s a rollers dream for EL34, KT88, 6L6, 6V6, and others including 5U4, 5AR4, 5R4, 12AT7, 12AX7, and the 12AU7.
 Ken Uesugi “Tesseract” 46/47 tube amp
Ken Uesugi “Tesseract” 46/47 tube amp
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 Janes Burgess 45 tube amp with Emission Labs tubes.
Janes Burgess 45 tube amp with Emission Labs tubes.
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 Rek-O-Kut Rondine Deluxe mono player with ROK Micropose 120 and Gray Research 208-S/16” arm with Fairchild 220-A mono cartridge.
Rek-O-Kut Rondine Deluxe mono player with ROK Micropose 120 and Gray Research 208-S/16” arm with Fairchild 220-A mono cartridge.
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 Greg Metz STS modified Thorens TD124 MKII, rewired Ortofon RMG212 tonearm, with an Andy Kim Needle Clinic rebuilt and retipped Ortofon S15-T MC cartridge with a linear contact diamond tip, and aluminium cantilever.
Greg Metz STS modified Thorens TD124 MKII, rewired Ortofon RMG212 tonearm, with an Andy Kim Needle Clinic rebuilt and retipped Ortofon S15-T MC cartridge with a linear contact diamond tip, and aluminium cantilever.
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 James Burgess push pull 45
James Burgess push pull 45
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 Radu Tarta 101d/26 preamp
Radu Tarta 101d/26 preamp
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Legacy Audio Whisper HD
Legacy Audio Whisper HD
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 James Burgess type 46 tube amplifier with a fresh NOS set of 1944 year 46 type tubes.
James Burgess type 46 tube amplifier with a fresh NOS set of 1944 year 46 type tubes.
Alan Eaton DHT 45 monoblocks
Alan Eaton DHT 45 monoblocks
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 Current reference setup with the James Burgess 45/2A3 S.E.T. amplifier, easily interchangeable to Burgess Eiclone 6550 triode monoblocks. A James Burgess tube preamp/phono stage, PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV
Current reference setup with the James Burgess 45/2A3 S.E.T. amplifier, easily interchangeable to Burgess Eiclone 6550 triode monoblocks. A James Burgess tube preamp/phono stage, PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Burgess phono stage. Media is also served up via an Otari MTR10-2, Teac 1040Sl, Akai 280D-SS and Akai X-150D Reel to Reel machines, a PC music server with over 25 terabytes of Hi-Rez files, and plenty of great vinyl selections. All playing through a pair of 105db efficient Klipschorn loudspeakers with an 18” Velodyne sub crossed over around 40Hz. Room is 24x20x8.
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 Vintage refurnished reel to reel decks, turntables, and tube gear.
Vintage refurnished reel to reel decks, turntables, and tube gear.
IMG_8255.jpg
 Reel to Reel and Vinyl reference.
Reel to Reel and Vinyl reference.
 .
.
 Switchable 2A3 or 45 power triode’s along with 12SL7 and 6AX4 tubes performing in all their glory!
Switchable 2A3 or 45 power triode’s along with 12SL7 and 6AX4 tubes performing in all their glory!
 Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari M
Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari MTR10-2, and Akai X-150D Reel to Reels, a PC music server with over 25 terabytes of Hi-Rez files, and a pair of Zu Audio Omen MKII loudspeakers. Room is 24x20x8. All current tube amp and tube preamp upgrades are finished and switching amps in and out are a breeze. Currently I can choose from a 25wpc 6550 triode, 4wpc EL84 pentode, and a 15wpc EL34 triode for tube amplifiers as well as the Plinius SS amplification.
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 Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari M
Plinius 8200 with Galbo Designs "Ultimate Mod" and 2019 Auricap XO revision (currently serving as preamp), PeachTree Audio 65SE (serving as DAC), Modified AT1240 TT with AT33EV cartridge and Cardas wiring straight to the Plinius phono stage, Otari MTR10-2 Reel to Reel, a PC music server with over 25 terabytes of Hi-Rez files, and a pair of Zu Audio Omen MKII loudspeakers. Room is 24x20x8. All current tube amp and tube preamp upgrades are finished and switching amps in and out are a breeze. Currently I can choose from a 25wpc 6550 triode, 4wpc EL84 pentode, and a 15wpc EL34 triode for tube amplifiers as well as the Plinius SS amplification.
 Restored 1969 Akai X-150D Reel to Reel
Restored 1969 Akai X-150D Reel to Reel
 Omen Dirty weekend upgraded with Zu audio clarity caps and internal mission cable wiring basically brining them to the Omen MkII at almost half the cost.
Omen Dirty weekend upgraded with Zu audio clarity caps and internal mission cable wiring basically brining them to the Omen MkII at almost half the cost.
 Myself around one year old in Okinawa Japan circa 1971 with my first taste of good audio. Like many serviceman around this time stationed overseas my father put together a very nice audio system which I got to enjoy for years after growing up back h
Myself around one year old in Okinawa Japan circa 1971 with my first taste of good audio. Like many serviceman around this time stationed overseas my father put together a very nice audio system which I got to enjoy for years after growing up back home in California.
 Minty Alec A7 VOTT speakers.
Minty Alec A7 VOTT speakers.
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 VPI Industries TNT-4 turntable, Cary Audio Design CAD-805c monoblocks , Cary Audio Design SLP-98p preamp , Plinius Jarrah phono preamp , Immedia RPM tonearm, Transfiguration Spirit MKII, Mapleshade Heavy Foot isolation feet, Lovan Classic II audio r
VPI Industries TNT-4 turntable, Cary Audio Design CAD-805c monoblocks , Cary Audio Design SLP-98p preamp , Plinius Jarrah phono preamp , Immedia RPM tonearm, Transfiguration Spirit MKII, Mapleshade Heavy Foot isolation feet, Lovan Classic II audio racks, Pure Note Paragon speaker cables, Pure note Paragon interconnects, Ps Audio xStream Plus SC, ElectraPrint 300B monoblock tube amps, Maple,sand, iso box DIY, Thorens TD-124, Altec 816A cabinets with tags on the back of them from Altec dating 3-5-51 ... 803a woofers....288c driver and tar filled horns are Altec 1003B's .... The LX5 x-overs are ugraded.
 Shanling T100 Turbomod Tube CD player
Shanling T100 Turbomod Tube CD player
 The picture just barley shows my Klipschorns that are 20 feet apart in the corners. Then I have 2 Sonance 15 inch powered subs. The rack on the right has my modifed Shanling T-100 cd player on top. Underneath that is my Samsung HDTV receiver for the
The picture just barley shows my Klipschorns that are 20 feet apart in the corners. Then I have 2 Sonance 15 inch powered subs. The rack on the right has my modifed Shanling T-100 cd player on top. Underneath that is my Samsung HDTV receiver for the 37 inch LCD screen behind the tapestry (Though I rarley watch tv at all in this room). Underneath that is a pair of moded Wright Audio 2a3 monoblocks. The middle table has a Exact audio EP15A ( The EP15A is neither a power conditioner, nor a power re-generator. It is somewhere in the middle. It rids the AC power of harmonics and noise and generates replacement power for the portions of the AC power that were removed in the process of eliminating power line harmonics and other distortions. In addition, it insures the output power is always 60Hz and the rms voltage is always 120VAC.) Below that is my Decware ZTPRE preamp and a pair of modified Dared VP-20 monoblock amps loaded with all 1950's Mullard tubes. The rack on the left is my VPI HW-19 MKIV totally upgraded with the TNT heavy platter , SS clamp, SAMA motor, and Origin Live Silver arm with a Benz Micro L2 cartridge going into a Musical Fidelity XLP phono stage which was upgraded with a Plinius Jarrah.
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 Pentode Stereo single ended power amp using SEDCTR circuit technology by Paul Joppa All pentode tube complement – 2x6AU6 and 2xEL84 Two stage direct coupled circuit with no global negative feedback 4 watts per channel, strappable to create an 8 watt
Pentode Stereo single ended power amp using SEDCTR circuit technology by Paul JoppaAll pentode tube complement – 2x6AU6 and 2xEL84Two stage direct coupled circuit with no global negative feedback4 watts per channel, strappable to create an 8 watt parallel single ended monoblock amp
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 James Burgess triode monoblocks based on the classic Eico HF-89 running 6550’s
James Burgess triode monoblocks based on the classic Eico HF-89 running 6550’s
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 Restored Marantz 6110 with AudioT echnica Pro11 cartridge
Restored Marantz 6110 with AudioT echnica Pro11 cartridge
 Restored JVC JL-F-45 with Shure M 97 XE
Restored JVC JL-F-45 with Shure M 97 XE
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Calibrated Hickok type TV-7D/U Military Tube Tester
Calibrated Hickok type TV-7D/U Military Tube Tester
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 B&K Model 700
B&K Model 700
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